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Mouvements artistiques --- Peinture --- Peintres
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Painting, Modern --- Painters --- Peinture --- Peintres --- Painting, Modern --- 2000-2099
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"Since her death in 2011, the legendary Surrealist Leonora Carrington has been reconstructed and reinvented many times over. In this book, Gabriel Weisz Carrington draws on remembered conversations and events to demythologise his mother, revealing the woman and the artist behind the iconic persona. He travels between Leonora's native England and adopted homeland of Mexico, making stops in New York and Paris and meeting some of the remarkable figures she associated with, from Max Ernst and Andre Breton to Remedios Varo and Alejandro Jodorowsky. At the same time, he strives to depict a complex and very real Surrealist creator, exploring Leonora not simply in relation to her romantic partners or social milieus but as the artist she always was. A textured portrait emerges from conversations, memories, stories and Leonora's engagement with the books that she read. Using the act of writing to process and understand the death of his mother, the author has produced a moving and fascinating account of life, art, love and loss."--Publisher description.
Peintres --- Femmes peintres --- Painters --- Women painters --- Weisz Carrington, Gabriel. --- Carrington, Leonora, --- Mexico. --- England. --- Chiki Weisz. --- George Gurdjieff. --- Leonora Carrington. --- Max Ernst. --- Mexico City. --- Surrealism. --- magic. --- memoir. --- painting. --- the body.
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"Among the earliest written texts on the history and theory of Netherlandish art, these two key writings are now available together in an English translation"--
biography [genre] --- Painters --- Lombard, Lambert --- Netherlands --- Flanders --- Peintres --- Portraits. --- Biographies. --- artists' portraits --- biography [general genre] --- Nederlandse school --- Painting [Flemish ]
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cultuurgeschiedenis --- seksualiteit --- Hogarth, William --- Troost, Cornelis --- 18de eeuw --- Europa --- Peintres --- Influence. --- cultuurgeschiedenis. --- seksualiteit. --- Hogarth, William. --- Troost, Cornelis. --- 18de eeuw. --- Europa.
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Femmes peintres --- vrouwelijke kunstenaars --- italianisanten --- Salons (Parijs) --- 1780 - 1830 --- 18de eeuw --- 19de eeuw --- Féminisme --- Identité de genre --- Histoire --- Women painters --- History --- Femmes peintres - Histoire - 18e siècle - Expositions --- Femmes peintres - Histoire - 19e siècle - Expositions --- Femme artiste --- Femme, thème --- vrouwelijke kunstenaars. --- italianisanten. --- Salons (Parijs). --- 1780 - 1830. --- 18de eeuw. --- 19de eeuw.
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"Florine Stettheimer was a feminist, multi-media artist who documented New York City's growth as the center of cultural life, finance, and entertainment between the World Wars. During her first forty years, spent mostly in Europe, Florine Stettheimer studied academic painting and was aware of the earliest modernist styles prior to most American artists. Returning to New York, she and her sisters led an acclaimed salon for major avant-garde cultural figures including Marcel Duchamp, the Stieglitz circle, and numerous poets, dancers, and writers. During her life, Stettheimer showed her innovative paintings in more than forty of the most important museum exhibits and salons. She also wrote poetry, designed unique furniture, and gained international fame for the sets and costumes she created for the avant-garde opera, Four Saints in Three Acts. Stettheimer's work was also socially progressive: she painted several identity-issue paintings, addressing African American segregation, Jewish bigotry, fluid sexuality, and women's new independence." --
Painters --- 75.07 --- Stettheimer, Florine 1871-1944 (°Rochester, New York, Verenigde Staten) --- Vrouwelijke kunstenaars --- Schilderkunst ; 1ste helft 20ste eeuw ; Fl. Stettheimer --- Biografieën ; Florine Stettheimer --- Joodse kunstenaars --- Schilderkunst ; schilders A-Z --- Stettheimer, Florine, --- Peintres --- United States --- Women painters --- Painting, American --- Femmes peintres --- Peinture américaine
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De schilder en boer Felix de Boeck (1898-1995) presenteerde zich graag als mystiek aangelegde eenling. Op zijn boerderij in Drogenbos, nabij Brussel, leefde hij op afstand van de artistieke ontwikkelingen in de hoofdstad. In tv-programma's als 'Ten huize van' of in zijn memoires 'Mijn leven en werk' benadrukte hij dat hij wilde 'sterven in het bed waarin ik geboren ben.' Toch verwierp hij het romantische beeld van de schilderende boer. Het boerenbestaan was voor hem juist een manier om zijn onafhankelijkheid als kunstenaar te waarborgen. De ontwikkeling van De Boeck van figuratieve naar abstracte kunst is in dit boek verweven met de politieke ontwikkelingen in Vlaanderen. De wijze waarop de Belgische overheid na 1945 omging met het verleden frustreerde hem sterk. Hij zocht aansluiting bij een alternatieve, Vlaams-katholieke kunsttraditie. David Veltman kreeg voor dit boek inzage in het omvangrijke privé-archief van De Boeck, maar hij raadpleegde ook talrijke archieven van collega-kunstenaars, kunstinstellingen en het naoorlogse krijgsgerecht. Zo wist hij het turbulente leven van De Boeck tot een samenhangend verhaal te smeden.
C3 --- biografie --- kunstenaars --- KADOC - Documentatie- en Onderzoekscentrum voor Religie, Cultuur en Samenleving (1977-) --- Kunst en cultuur --- Art --- artists [visual artists] --- Boeck, de, Felix --- De Boeck, Felix --- Biography --- Painters --- Painters. --- Peintres --- Boeck, Felix de. --- Belgium.
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Fondé sur le connoisseurshíp et amorcé à l'Université de Genève dès 2010, le programme Peindre en France à la Renaissance cherche à reconstruire la dynamique de la peinture produite dans le royaume de France aux XVe et XVIe siècles, en tenant compte de toutes les techniques impliquées par le métier du peintre.
Painting, French --- Peinture française --- Painting, French. --- 1400-1599 --- France --- Painting --- painting [image-making] --- anno 1400-1499 --- anno 1500-1599 --- Beauvais --- Amiens --- Franse school --- Peintres --- Peinture de la Renaissance
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The artistic heritage of the regions that once formed part of the former Spanish Empire includes a large number of painted copies after Flemish masters made during the sixteenth and the seventeenth centuries. Most of these works have received little attention, even though they constitute a valuable source for understanding the artistic influence of the Southern Netherlands on Spanish and Latin American art and society in this period. Indeed, the study of copies of Flemish masters sheds light on a number of art-historical issues, including the means of diffusion of artistic models, stylistic trends and the dynamics of the art market and the world of collecting. These copies are a valuable testimony to the political, commercial and cultural ties that existed between the Hispanic territories and the Southern Netherlands.
Peinture flamande --- Painting --- History of civilization --- History of Spain --- History of the Low Countries --- art market --- copies [derivative objects] --- anno 1500-1599 --- anno 1600-1699 --- Painting, Flemish --- Painters --- Prints --- Art --- Peintres --- Estampe --- Influence. --- Collectors and collecting. --- Influence --- Collectionneurs et collections --- Juan, |c de Flandes, |d approximately 1465-1519 --- Prints, Spanish --- Estampe espagnole --- Juan, --- Painting [Flemish ] --- invloed van Vlaamse school --- collecting, Spain --- paintings [visual works]
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